Género: Experimental, Proto Punk, Art Rock
Artistas similares: Brigitte Fontaine, Francois Hardy, John Cale
Año de grabación : Elektra, 1969.
One of the most fascinating figures of rock's fringes, Nico hobnobbed, worked, and was romantically linked with an incredible assortment of the most legendary entertainers of the '60s.
The paradox of her career was that she herself never attained the fame of her peers, pursuing a distinctly individualistic and uncompromising musical career that was uncommercial, but wholly admirable and influential.
In 1965, she attracted the attention of Rolling Stones manager Andrew Loog Oldham, who gave her a chance to record for his Immediate label, though the resulting single, which also featured Brian Jones and Jimmy Page on guitars, flopped. Shortly afterward, she moved to New York, where Andy Warhol installed her as a vestigial presence and occasional lead singer for the Velvet Underground. The band never really accepted her as a bona fide member and she departed in 1967, but not before contributing unforgettable deadpan vocals to three of the songs on their classic 1967 debut album.
Nico embarked on a solo career, recording folk-rock-flavored songs for her debut Chelsea Girl album with assistance from Jackson Browne, Lou Reed, and John Cale. Her 1969 follow-up, The Marble Index, was a dramatic departure that unveiled her doom-laden, gothic persona, produced by Cale and prominently featuring her deep vocals, impenetrable lyrics, and ghostly harmonium.
Fields Of Haze.