Efectivamente, este disco está dedicado enteramente a mi esposa.
Nunca dejes de creer amor.
Genere: Pop Rock.
Style: Contemporary, Hair Metal, Pop Metal.
Similar artists: Heart, Tesla, Whitesnake
Recording year: Mercury, 1986.
Bon Jovi took its name from lead singer Jon Bon Jovi (born Jon Bongiovi), who spent his adolescence playing in local Jersey bands with David Bryan (born David Rashbaum). Jon’s cousin, Tony Bongiovi, owned the celebrated New York recording studio the Power Station and Jon spent many hours there, working as a janitor and recording demos after hours, sometimes supported by members of the E Street Band or Aldo Nova. One of those demos, "Runaway," became a hit on local New Jersey radio and lead to the formation of Bon Jovi the band, as Jon and Bryan were supported by guitarist Dave Sabo, bassist Alec John Such, and drummer Tico Torres. “Runaway” spurred a major-label bidding war leading to a contract with Polygram/Mercury in 1983. Before the group entered the studio, though, Bon Jovi replaced Sabo with Richie Sambora, a working guitarist with a long résumé including a stint as a member of Message.
Bon Jovi released their eponymous debut album in 1984, generating a Top 40 hit with the original version of "Runaway." The following year, 7800 Fahrenheit was released and went gold, all serving as a prelude to the band's 1986 breakthrough, Slippery When Wet. Paul Stanley had given Jon and Richie the phone number of professional songwriter Desmond Child, and together they wrote two of the album's biggest hits in Richie's parents' basement. The trio composed 30 songs in total and auditioned them for local New Jersey and New York teenagers, basing the album's running order on their opinions. Supported by several appealing, straightforward videos that received heavy rotation on MTV, the record took off on the strength of “You Give Love a Bad Name,” followed quickly by “Livin’ on a Prayer” and “Wanted Dead or Alive.” Those three Top Ten Hits helped propel Slippery When Wet to sales of nine million in the U.S. alone, establishing Bon Jovi as superstars in their home country. Their fame was not limited to the U.S., though, as the album also turned into a significant hit in Europe, Canada, Japan, and Australia.
Bon Jovi built upon Slippery When Wet's formula with 1988's New Jersey, which shot to number one upon its release. New Jersey was only slightly less successful than its predecessor, selling five million copies and generating two number one singles, "Bad Medicine" and "I'll Be There for You," as well as the Top Ten hits "Born to Be My Baby," "Lay Your Hands on Me," and "Living in Sin." Following the completion of an 18-month international tour, the band went on hiatus. During the time off, Jon Bon Jovi wrote the soundtrack for Young Guns II, which was released in 1990 as the Blaze of Glory album. The record produced two hit singles -- the number one title track and the number 12 "Miracle" -- and earned several Grammy and Oscar nominations.
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Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone -- especially girls, whom traditional heavy metal often ignored during the '80s. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Bad.
Part of the album's success could be attributed to Desmond Child, a behind-the-scenes songwriter who went on to write hits for Aerosmith and others. With Child's help, Bon Jovi penned a pair of songs that would eventually define their career -- “Living on a Prayer” and “You Give Love a Bad Name” -- two teenage anthems that mixed Springsteen's blue-collar narratives with straightforward, guitar-driven hooks. The band's characters may have been down on their luck -- they worked dead-end jobs, pined for dangerous women, and occasionally rode steel horses -- but Bon Jovi never presented a problem that couldn’t be cured by a good chorus, every one of which seemed to celebrate a glass-half-full mentality. Elsewhere, the group turned to nostalgia, using songs like “Never Say Goodbye” and “Wild in the Streets” to re-create (or fabricate) an untamed, sex-filled youth that undoubtedly appealed to the band’s teen audience. Bon Jovi weren't nearly as hard-edged as Mötley Crüe or technically proficient as Van Halen, but the guys smartly played to their strengths, shunning the extremes for an accessible, middle-of-the-road approach that wound up appealing to more fans than most of their peers. “It’s alright if you have a good time,” Jon Bon Jovi sang on Slippery When Wet’s first track, “Let It Rock,” and those words essentially served as a mantra for the entire hair metal genre, whose carefree, party-heavy attitude became the soundtrack for the rest of the ‘80s.
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