The Indie Scene 1980 - Story of British Independent Music

(Ahí está el disco que querías mi estimado Eric, saludos).

1 ::::::Echo & The Bunnymen - Pictures on my wall

2		Joy Division - These Days
3		Wah! - Seven Minutes to Midnight
4		Bauhaus - Dark Entries
6		Woodhead Munro - Mumbo Jumbo
7		Spizz Energi - Where's Captain Kirk
8		Holly and the Italians - Tell That Girl to Shut Up
9		The Associates - Affectionate Punch
10		It's Immaterial - Young Man
11		The Frantic Elevators - You Know What You Told Me
12		Q Tips - Sysljfm
13		Cabaret Voltaire - Silent Command
14		Deutsch Amerikanische Freundschaft - Kebabtraume
15		Fad Gadget - Rickey's Hand
16		Modern English - Gathering Dust
17		The Tea Set - Parry Thomas
18		Swell Maps - Let's Build A Car
19		Dead Kennedys - California Über Alles
20		The Adicts - Easy Way Out
21		Normil Hawaiians - The Beat Goes On
22		The Fall - Totally Wired

Fields Of Haze... Underground for all.

Tom Waits - Heartattack and Vine

Genere: Experimental Rock, Beat Poetry.

Style: Pop Rock, Progressive, Art Rock.

Similar artists: Leonard Cohen, Nick Cave, Howlin' Wolf.

Recording year: Asylum, 1980.

Heartattack and Vine, Tom Waits' first album in two years and his last of seven for Asylum Records, is a transitional album, with tracks like the rhythm-heavy title song and "'Til the Money Runs Out" foreshadowing the sonic experiments of the Island albums, while piano-with-orchestra tracks like "Saving All My Love for You" and "On the Nickel" (written as a motion-picture title tune) hark back to Waits' Randy Newman-influenced early days. It is just as well that Waits never entirely gave up on the ballad material; "Jersey Girl," a Drifters-style song, is a winner, and it was appropriated by Bruce Springsteen on his 1981 tour. Also, at least at this point, the rougher tunes all tended to sound the same.











Underground for all!!!